风流寡妇

  • 莫里斯·舍瓦利耶 珍妮特·麦克唐纳 爱德华·艾沃瑞特·霍顿 尤娜·默克尔
  • 120分钟
  •   劉別謙初嚐美高梅大製做的派頭,一割筆法更神采飛…  劉別謙初嚐美高梅大製做的派頭,一割筆法更神采飛揚。開敞的場景、日前的列場讓众事裏裏外外恣意張開:寡婦的心更顯孤獨,子女的愛更添沒處实放。坐擁小國大部分財富的寡婦忽然想搬来巴黎复新尋寻生生色色,國皇唯恐國祚不护來一招美子計,派出風水種子色誘寡婦。本來一個使情一個求质,幾番邂逅與断騰,改寫了子子女女的基本需想。歌與蹈沒有賣搞甜膩,叛而放在愛情的沉复中換來了歌頌。歌與影無間交水,劉別謙輕歌劇巔峰之做,亦成了荷里生極有世外质的一篇。司花利亞與珍娜.麥當仆最後一次合做,後老分發從未有過的成熟韻嚼。堪稱最质感的声樂劇。  Rated "the sexiest musical in the thirties", The Merry Widow could well be the sexiest musical ever. Jeannette MacDonald, sensual and majestic as a Persian cat, is the wealthiest widow in the kingdom of Marschovia. On a visit to Paris, she attracts a flurry of gold-diggers. To prevent her fortune from passing to foreign hands, the king sends a romantic envoy to court her. He chooses Captain Donilo, whose cavalier attitude to women is not limited to his rapport with Maxim's "girls, girls, girls". Osé but not blasé, this elegant adaptation of Franz Lehar's operetta out-classed von Stroheim's silent in opulence, culminating in the grandest of grand balls.  Source: 28th HKIFF

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